10th and 11th February 2015
7.30pm - 8.30pm
The Marlborough Theatre
The Nightingale co-presents at The Marlborough Theatre
Tickets:
Pay What You Can
Or call Brown Paper 24/7 on 0800 411 8881
Subject to availability there may be tickets on the door 30 minutes before the performance
Andy Smith and Fuel present a new piece for theatre telling a story from The North. The story of an ordinary life in extraordinary circumstances, or an extraordinary life in ordinary circumstances. The story of a life. The story of our lives. You can decide.
Andy Smith has been making solo works for theatre since 2004. During this time he has also collaborated as a co-director on the plays of Tim Crouch. In 2013 they also wrote and performed 'what happens to the hope at the end of the evening' together.
This performance is presented in association with the Marlborough Theatre.
8.30-10pm
part of a two part evening with canapés
photo: Martyn Boston
Tickets:
£20/£18
Or call Brown Paper 24/7 on 0800 411 8881
Subject to availability there may be tickets on the door 30 minutes before the performance
A LYRICAL DANCE CONCERT is a party in a comedy double act in a cabaret show in a gig in an experimental dance performance.
Number-by-ridiculous-number, the lyrics of chart hits past and present are danced out – stretched,turned,lifted and thrown.With joyful irreverence and serious fun, the show insists that pop music belongs to us and can do what we want it to do. GET YOUR GLAD-RAGS ON, grab a drink and a pal, and giggle along with this mixed-up whirlwind of glamorous divas, guitar solos and gangster rappers...
Running time: 90 minutes
Choreography, original performance, design: Gillie Kleiman and Sara Lindström
Performers: Gillie Kleiman and Eleanor Sikorski
Created in co-production with Dance4, with additional support from Dance City, Northern Stage, MDT (Stockholm), and Konstnärsnämnden (Sweden). Show development and the 2014/15 tour is supported by Arts Council England. Additional tour support from Chisenhale Dance Space and Greenwich Dance.
7-7.30pm
part of a two part event with canapés
photo: Ben Parks
Burrows and Fargion have been invited around the world with their unique brand of humour and intellectual rigour.
Body Not Fit For Purpose is their first overtly political work, commissioned by the 2014 Venice Biennale and taking as its starting point the uselessness of dancing to express anything of any real concern and at the same time the inherent, gloriously foolish radicality of the attempt.
Running time: 30 minutes
Body Not Fit For Purpose is commissioned by the Venice Biennale and supported with public funding by the National Lottery through Arts Council England.
Jonathan Burrows and Matteo Fargion are co-produced by Kaaitheater Brussels, PACT Zollverein Essen, Sadler's Wells Theatre London and BIT Teatergarasjen Bergen.
The two men are currently in-house artists at the Nightingale, Brighton England and would like to thank also Canon Richard Moatt and St Anne's Church Lewes, Sue MacLaine and Nicki Jackowska.
“There's a beguiling mix of the scholarly, the quizzical and the righteously indignant that is unique to Fargion and Burrows...the concentration of their work demonstrates how much expressive power even a small gesture, a tiny variation of tone or rhythm, can possess”
“...occasionally feeling gloomy during some performance or other, I’ve wished that a fed- up theater goblin would whisk away the show I’m watching and deposit Burrows and Fargion in its place.”
15th November
7-10pm
The Basement, Brighton
Tickets:
£20/£18
Or call Brown Paper 24/7 on 0800 411 8881
Subject to availability there may be tickets on the door 30 minutes before the performance
We are proud to host an evening of performance and canapés with an opportunity to digest the work with the artists
25th July
7.30pm
at The Marlborough Theatre
Suitable for ages 12+
Tickets:
£8.50/£6.50
Or call Brown Paper 24/7 on 0800 411 8881
Subject to availability there may be tickets on the door 30 minutes before the performance
The young company behind the highly praised, award-winning You and Me (2013) are joined by a flamenco guitarist to perform the whole of Cervantes’ masterpiece. Directed by Ian Nicholson, the two Spaniards of Little Soldier are joined on stage by Told By An Idiot associate artist Stephen Harper to re-enact one of the most influential works of world literature.
Their mammoth task would be easier if any of the following were true: they’d read the book, had enough actors or heeded the warnings of Terry Gilliam. The production follows the style of Little Soldier’s Brighton Fringe run and national tours of You and Me, a bitter-sweet physical comedy about dementia, and growing old away from home. Here, the company contrast the intimate with the epic, with Little Soldier’s combination of languages with live music and physical comedy, presenting an imaginative and provocative adventure of immense proportions, to be taken with a pinch of salt (and a handlebar moustache).
Part of the Nightingale off-site programme, this performance will be at THE MARLBOROUGH THEATRE.
“a compelling masterstroke of physical comedy”
“Masterpiece…The best of the Fringe”
“A funny, insightful and poignant piece that hits its mark with precision and intelligence ”
www.littlesoldierproductions.co.uk
4th July
8pm
at The Basement
24 Kensington Street, Brighton, BN1 4AJ
Tickets:
£10/£8
Or call Brown Paper 24/7 on 0800 411 8881
Subject to availability there may be tickets on the door 30 minutes before the performance
Crime and Casualty is a performance which is created as it happens by Katie Duck and Alfredo Genovesi: two virtuosic improvisers performing here in the UK from Amsterdam. The theme: Crime and Casualty was conceived by Katie Duck, and is an ironic comment on the criminal behavior that today allows for rank mercantile opportunism, and the damage that results. Katie Duck’s acclaimed performances are highly charged performance adventures in which anything might happen.
American born dancer Katie Duck has been making performance since the early 1970’s. She is a seminal figure of the international improvisational performance scene, inspiring generations of performance makers. Her continuing collaborations with world-class musicians forms a central part of her working approach. She is a true original and a maverick who has carved out her own unique and uncompromising path in the dance world through a 40 year career.
Running time 60 minutes
Part of the Nightingale's off-site programme, this performance will be at THE BASEMENT
“Duck's sturdy purposefulness makes even her most arbitrary actions seem part of a life-and-death odyssey”
“Katie Duck is the Zorba the Greek of improvisation: earthy, feeling every mode of sensuality, preposterous, irresistible, polymorphously perverse. Watching her dance is like watching her body think”